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gary
July 21, 2011 11:03 AM
Ghosts of the Abyss. Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour. The Polar Express. Up. U2 3D. Coraline. Success stories, one and all, but aren’t these films mostly mass-market, high-budgeted studio projects? Why should 3D films like these matter to someone creating a low-budget feature today? Is it even possible to produce a genre film with a low budget—say, between $500,000 and $1 million—in 3D? Some forward-looking 3D experts say that it’s not only possible, but even inevita (
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Posted by:
gary
February 8, 2011 1:52 PM
The world of two-dimensional TV took a major shift last year when new technology gave us the choice to add that third dimension to video. Still in its infancy, 3DTV exposes a new assortment of thrills... and challenges. (
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Posted by:
gary
May 27, 2010 12:53 PM
Music-Video Vet Don Wilson Managed a Stereo Workflow for Final Cut Pro
When Action 3D Productions hired an editor to cut the concert film Phish 3D, it made sense that they’d go to Don Wilson's Americana Media. Wilson is an Emmy-winning producer-director-editor whose experience in the industry stretches back to the early days of MTV, when he was cutting promo clips for any number of top-tier acts.
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Posted by:
gary
January 12, 2010 11:07 AM
CineForm Neo3D and its First Light 3D engine have been selected by Intel to showcase the power of the
Intel® Core™ i7 processor during the Intel CEO’s keynote presentation at the Consumer Electronics
Show (CES) 2010 this week in Las Vegas.
“CES 2010 will be center stage for Intel to demonstrate the raw horsepower of the Intel Core i7 chip
architecture, and to do this, they will be tapping some of the most compute intensive, complex and
visually exciting technologies from the 3D movie pro (Read More)