 Avid has been working very hard at providing editors with the most professional tools, and best possible support. Avid introduced Avid Media Composer 5 which was ground breaking, and then took it further with Avid Media Composer 5.5. Now Avid has introduced a new 64 bit native Media Composer with even more powerful tools, known as Avid Media Composer 6.
Avid has now opened up their I/O support to third party hardware manufactures such as AJA, BlackMagic Design, MOTU, Matrox, and Bluefish44
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 Six months after the launch of Final Cut Pro X (FCPX), Apple's major overhaul to its professional video editing software Final Cut Pro, video pros find themselves increasingly looking at other software options. The new version of Final Cut Pro was controversial—there were significant changes to the Final Cut interface, a plethora of editing features were taken away, and worst of all, Final Cut Pro X was rendered unable to import projects from previous versions of the software. For video editors
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 Videoguys Top 10 Products of 2011
- Avid Media Composer 5.5 & 6
- Adobe Creative Suite 5.5 Production Premium
- Matrox MXO2 Family with Thunderbolt Adapter
- Grass Valley ADVC-G Series
- SONY Vegas Pro 11
- Avid Studio
- Reds Giant Software Suites
- Boris Continuum Complete 8
- Roland VR-5 Mixer
- Class On Demand Online Training Catalog
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 After months of testing, playing, discussing, testing, playing, and then discussing some more, we’ve decided that moving forward Biscardi Creative Media will support both Adobe Premiere Pro and Avid Media Composer workflows moving forward.
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 Before you lose it on set or fix it in post, follow these simple guidelines to keep everything moving smoothly
It’s no surprise that rapid changes in technology and dramatic drops in budgets have forced many experienced producers out of their comfort zones and into uncharted waters. To make matter worse, networks and studios often still expect the impossible for a fraction of the budgets of years past.
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 If there's one thing that stifles creative energy with deadly effectiveness, it's having to wait. That's why the new GPU-accelerated features in Sony's Vegas Pro 11 video-editing application ($600 as of January 3, 2012) are more welcome than pretty much anything else Sony could have done for this application.
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 Last Friday I came across this bit of news:
Avid today announced that renowned television production company, Bunim/Murray Productions, has selected Avid Media Composer® 6 and Avid Symphony® 6 editing software for all of its programs beginning in early 2012. Bunim/Murray joins a growing number of professional users who have returned to using Avid solutions from Final Cut Pro to meet their production workflow requirements. Additionally, as part of this implementation, Bunim/Murray also
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 MOTU, Inc. introduced the HDX-SDI with Thunderbolt™ technology, a professional video interface that turns a Thunderbolt technology enabled Mac or PC into a powerful HD/SD video production workstation equipped with all the video and audio I/O needed for professional capture and monitoring.
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 What PC to build, updated January 2012
A question often asked is what system to build for NLE.
The previous article about this topic dates back to March 2010, so it was due an update because there were so many new developments in the past two years, including CS5.5
Basically you can think along three roads, a budget PC, an economical PC and the warrior PC. Notice that MAC is not mentioned here. There are three reasons for that, one is I'm not qualified to really advise on MAC's
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 Having recently looked at the Sabretooth X79, it's now the turn of a motherboard a little lower down the food chain, the Asus P9X79 Pro.
This board is lower down in relative terms only though, as the X79 is a high-end, enthusiast chipset. That means any motherboard featuring this chipset isn't going to be exactly cheap.
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 2011 saw the introduction of the next great thing in high-speed-data port connections with Apple’s Thunderbolt. It really is a cool technology that could very well make the multi-cable peripheral-connection spaghetti-mess a thing of the past. The kind of speed that Thunderbolt is capable of delivering would be most at home on the digital professional’s desktop, so it’s video and photography folks who will most likely be adopting this technology first. Here we are at the beginning of 2012 with Th
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 John DeMaio is a Producer, Director, DP and Editor working out of Orlando, Florida. He has been a production professional since 1996 and has a vast knowledge of all things production and post. When John first heard the news about Media Composer 6, he was genuinely excited. It has been a long time since an NLE has given him a reason to look forward to its release. After the release of FCP X, he realized (along with everyone else in the professional film and video world) that he would have to st
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 Thunderbolt is a new, high-speed, dual-protocol I/O technology designed by Intel and introduced by Apple that delivers amazing performance, with ease & simplicity. It makes attaching Thunderbolt enabled storage and I/O cards a breeze. All of the current Apple iMacs, MacBook Pros, MacBook Airs and Mac Minis have Thunderbolt. Today’s iMacs with Thunderbolt no longer have the drawback of limited upgradeability. They are easily expandable and support video capture and output as well as professional
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 HD Video Pro recently named Adobe Creative Suite 5.5 Production Premium as my top product of 2011. With the release of their Mercury Playback Engine, as well as Apple’s release of Final Cut Pro X, Adobe has slowly but surely taken back some of the NLE marketshare that Apple has dominated over the years. With the ability to throw almost any codec at Premiere Pro and edit natively, Adobe has recently partnered with Automatic Duck to help improve the workflow integration into the system.
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 Avid ® (NASDAQ: AVID) today announced that renowned television production company, Bunim/Murray Productions, has selected Avid Media Composer® 6 and Avid Symphony® 6 editing software for all of its programs beginning in early 2012. Bunim/Murray joins a growing number of professional users who have returned to using Avid solutions from Final Cut Pro to meet their production workflow requirements. Additionally, as part of this implementation, Bunim/Murray also plans to deploy an Avid ISIS® 5000 s
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