 Every editor worth his salt has a good set of light leaks. It’s an effect that creates dynamic transitions, energy and motion. George decided to create 5DLeaks because quite frankly he needed a quality set of hisown. Also, he wasn’t too excited forking out $100 for similar sets available online.
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 Videoguys Top 10 Products of 2011
- Avid Media Composer 5.5 & 6
- Adobe Creative Suite 5.5 Production Premium
- Matrox MXO2 Family with Thunderbolt Adapter
- Grass Valley ADVC-G Series
- SONY Vegas Pro 11
- Avid Studio
- Reds Giant Software Suites
- Boris Continuum Complete 8
- Roland VR-5 Mixer
- Class On Demand Online Training Catalog
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 As a followup to my previous post, I received this question (or something like it) in a few emails: “do you think this same trend will hit the non-broadcast arena?”
The answer is, it depends.
It depends on what kind of work you are doing. Final Cut Pro X is not an unusable editor for many folks. Undesirable for some, but it is capable of editing programs together. People who are editing for the web or for DVD delivery, are probably going to have very little cause to think about switching a
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 Before you lose it on set or fix it in post, follow these simple guidelines to keep everything moving smoothly
It’s no surprise that rapid changes in technology and dramatic drops in budgets have forced many experienced producers out of their comfort zones and into uncharted waters. To make matter worse, networks and studios often still expect the impossible for a fraction of the budgets of years past.
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 Last Friday I came across this bit of news:
Avid today announced that renowned television production company, Bunim/Murray Productions, has selected Avid Media Composer® 6 and Avid Symphony® 6 editing software for all of its programs beginning in early 2012. Bunim/Murray joins a growing number of professional users who have returned to using Avid solutions from Final Cut Pro to meet their production workflow requirements. Additionally, as part of this implementation, Bunim/Murray also
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 MOTU, Inc. introduced the HDX-SDI with Thunderbolt™ technology, a professional video interface that turns a Thunderbolt technology enabled Mac or PC into a powerful HD/SD video production workstation equipped with all the video and audio I/O needed for professional capture and monitoring.
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 2011 saw the introduction of the next great thing in high-speed-data port connections with Apple’s Thunderbolt. It really is a cool technology that could very well make the multi-cable peripheral-connection spaghetti-mess a thing of the past. The kind of speed that Thunderbolt is capable of delivering would be most at home on the digital professional’s desktop, so it’s video and photography folks who will most likely be adopting this technology first. Here we are at the beginning of 2012 with Th
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 Thunderbolt is a new, high-speed, dual-protocol I/O technology designed by Intel and introduced by Apple that delivers amazing performance, with ease & simplicity. It makes attaching Thunderbolt enabled storage and I/O cards a breeze. All of the current Apple iMacs, MacBook Pros, MacBook Airs and Mac Minis have Thunderbolt. Today’s iMacs with Thunderbolt no longer have the drawback of limited upgradeability. They are easily expandable and support video capture and output as well as professional
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 HD Video Pro recently named Adobe Creative Suite 5.5 Production Premium as my top product of 2011. With the release of their Mercury Playback Engine, as well as Apple’s release of Final Cut Pro X, Adobe has slowly but surely taken back some of the NLE marketshare that Apple has dominated over the years. With the ability to throw almost any codec at Premiere Pro and edit natively, Adobe has recently partnered with Automatic Duck to help improve the workflow integration into the system.
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 For those working in the film industry that come across Final Cut issues, there's one man to call: Ben Balser. As well as being an experienced Certified Final Cut Trainer and having taught classes across the U.S. for editors from CNN, Discovery, Getty Images to State and Federal government institutions, Ben is also a Final Cut consultants' consultant!
We're thrilled to welcome Ben to macProVideo.com as a trainer, bringing his years of experience, knowledge and passion for Final Cut. It's a p
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 First of all we would like to wish a very Happy New Year to all our readers. Secondly we thought it would be a good time for a brief look back at the most popular articles of 2011.
We have had an amazing year, we have had to upgrade our hosting facilities
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 Avid ® (NASDAQ: AVID) today announced that renowned television production company, Bunim/Murray Productions, has selected Avid Media Composer® 6 and Avid Symphony® 6 editing software for all of its programs beginning in early 2012. Bunim/Murray joins a growing number of professional users who have returned to using Avid solutions from Final Cut Pro to meet their production workflow requirements. Additionally, as part of this implementation, Bunim/Murray also plans to deploy an Avid ISIS® 5000 s
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 2011 is drawing to a close and before I start making predictions for 2012, I thought I’d have a look back at 2011 to revisit some of the video industry developments that I thought were the most significant for the segments of the event and corporate video production industry that I work in and cover as a video industry journalist. Now let me be upfront with my biases because they certainly shape my preferences and the perspective in which I see video industry developments.
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 Welcome to the latest edition of my monthly Final Cut Studio newsletter for December, 2011. (Don’t panic, the last issue I published was #79 in July…. I know, I’m so embarrassed.)
This newsletter provides tutorials, tips and other information essential to the interested user of Final Cut. I try to publish this every month, and past issues are available via subscription. All software references are to Final Cut Studio (3) or Final Cut Pro X unless otherwise noted.
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 6 months later, and the "discussion" of FCPX has still not quieted down. A recent ep of "That Post Show", as well as a post by Philip Hodgetts, has thrown some fuel into the fire. I was going to post on Philips post, but that has already turned into a god awful mess.
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