 Fantastic deals on Adobe, Avid, Apple, Sony, Grass Valley, Matrox, Pioneer, G-Tech and NLE Plug-ins!
Take $25 OFF and Get FREE UPS Ground Shipping on All Orders of $500 or More this Labor Day Weekend with Coupon Code LDBONUS
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 Once again Avid have jumped ahead of Apple with their new updated Media Composer 5. Avid are looking to steal back some FCP editors with their new updated editing software. CS5 Premiere Pro is also tempting FCP users so my advice for Apple is “GET YOU FINGER OUT” !
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 The range of the video editing software market has been remarkably stable over the past decade or so, with a clear divide between "consumer" tools in the $50 to $100 to $150 range, and "professional" tools from the likes of Adobe, Apple, Avid and Sony, starting at around $700 to $800.
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 My job here as a writer for NotebookReview is to distill complicated information into something that the average consumer can understand. Most things computer-related have some kind of basic analogy anyone can grasp, but video editing is wholly its own entity. The basic workflow is simple and logical to me because I've been doing it for nearly a decade now. How do you quickly convey it to someone who's completely new at it?
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 Turning Dongles into Gold with the Avid Media Composer 5 Upgrade
with Avid Production Suite for Under $500 from Videoguys.com!
Avid Media Composer 5 has been shipping for several months now, and the feedback we are getting from editors all over the world is that AVID is BACK! We're hearing this from professional editors, independent filmmakers, post houses, local cable and news, event videographers and prosumers - they're all singing the praises of Avid Media Composer 5.
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 In this pre-recorded webinar Francesco Scartozzi and Wayne Andrews discuss H.264. The webinar is focused on understanding H.264, the pain of using it in your creative workflow process, the market trends and the solution to the problems. There is also some great information on various codecs and how computers process them. This webinar is brought to you by Matrox.
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 We recommend using G-Speed Qs with Avid Media Composer, Adobe CS5, Apple Final Cut Studio, Sony Vegas Pro 9 and all our video editing solutions. For best results choose RAID-5 to combine outstanding throughput capable of mutiple streams of compressed HD footage with data protection. This means that should a drive fail, you won't lose any data or any work, and best of all you can continue editing!"
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 If you’ve read some of my past articles about RED, you know I’m not a huge fan of “native” editing using the camera raw files as source clips. I find that an offline/online workflow is still best for smoothly editing RED projects, yet it still retains access to the raw color data during the finishing process. Previously I discussed an easy workflow for Apple Final Cut Pro and Color users, but this isn’t the only solution. As you know, Avid Media Composer 5 and Adobe Premiere Pro CS5 have both in
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 To faithfully translate Gilbert’s journey from page to screen, the filmmakers lobbied to shoot the movie entirely on location in chronological order. And after nine months of intense scouting and preproduction planning, Murphy led 40 cast and crew members — including Oscar-winning cinematographer Robert Richardson — on a four-and-a-half month rolling production effort that generated 422,000 feet of film, or roughly 70 hours of footage.
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 Grass Valley has announced that its “ADVCmini” hardware and software conversion product for the Mac platform is now shipping. The ADVCmini video converter allows consumers and prosumers to easily transfer high-quality video images from VHS tapes, digital camcorders, and similar sources to their Mac computer for editing in Final Cut Pro or iMovie.
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 Well I have one of these devices now. I've own the first model since 2004. Now 6 years later second model sports 1080p, handles even MKv, MP4 all the (Avi) formates. Picture quality on my HDTV is excellent viewing from MediaMVP - HD. There are some glitches I've found in the wired network side. Just took a very long time for DHCP to pickup the device. Of course I could go static IP. Entering the numbers are done by the same remote you seen in the prior MediaMVP SD but the 45 button remote not th
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 Adobe has added the “Mercury” engine to CS5 for increased performance in Premiere Pro by using Nvidia’s CUDA graphics processing features. This is great work and can be useful in many ways. In fact CineForm may consider using CUDA in the future for some of our non-compression Active Metadata processing. A common question we get is – should I use CUDA or NeoScene for AVCHD content?
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 I’ve been an Avid editor for the past 11 years and Media Composer is the only edit system I use on a day to day basis. Being an editor for a full service production company, one day I’m cutting a sizzle reel for a pilot episode for a TV program, the next a 30 second commercial spot, and a few days after that it could be a 30 minute educational video. There is a wide spectrum on content that I’m creating and Media Composer always gets me where I’m going, without me ever having to worry about my
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 Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export
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 ATTENTION Matrox RT.X2, RT.X100 and AXIO Owners: Matrox is Offering a Special Loyalty Discount and it's Available Now at Videoguys.com
- Save $200 on a Matrox MXO2LE with MAX
- Save $500 on a Matrox MXO2 with MAX
- Save $500 on a Matrox MXO2 Rack with MAX
For a limited time, Matrox is offering Matrox Axio, RT.X2, and RT.X100 owners a loyalty discount on purchases of selected versions of the MXO2 products with the MAX H.264 encoding option.
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