 Audio editing powerhouse - from raw audio to editing to mastering, including sound design, audio restoration, processing and effects, and even Red Book CD creation.
What family of video editing tools are you most comfortable with? There's Avid, with its extensive legacy in broadcast and film. Or Adobe, with its ever-more-tightly integrated Creative Suite, from imaging to video to the web. And Apple, with its Final Cut Studio expanding from professional editing to digital cinema.
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 The NEXTO DI NVS 2500 is a stand alone backup / archiving system for digital media cards. At it’s heart lies a 500GB 2.5 inch drive which has been wrapped in card readers, a rechargeable battery, a colour display and a whole host of communication ports. It’s all packaged up in a compact rugged case that’s built to withstand the day – day rigours of a video professional.
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 If you're a post-production professional editing with Apple Final Cut Studio, Avid Media Composer or Adobe CS4 Production Premium, Videoguys.com is your source for the professional tools you need to make the most of your production environment. At Videoguys.com, we understand that professional video editors have different needs than the average consumer. Not only do you need the best tools available in the industry, you also need the fastest and most reliable solutions because down-time may not
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 Videoguys.com is your source for the best training products you need to make the most of your video editing and production software! You can sort through the training products in our library by going to the BY CATEGORY > Training section from the top of any page and further sort those results for Adobe, Apple, Avid and more! Here are some great deals to help get you started.
Videoguys.com is your source for the best software to get the most from your video editing system. We now have a com
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Matrox Convert DVI lets broadcasters easily and economically take the computer-based content that is quickly becoming a key part of the nightly news to air. It's ideal for creating broadcast video from computer applications such as Skype, YouTube, Google Earth, video games, and web browser sessions, as well as citizen journalists' mobile phone videos.
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 RED’s Scarlet appears to be just around the corner and both Sony and Panasonic seem to be responding to the challenge of the upstart photo manufacturers. No matter what acronym you use – DSMC, HD-DSLR, HDSLR – these hybrid HD video / still photo cameras have grabbed everyone’s attention. 2010 may indeed be the year that hybrid digital SLR cameras hit their stride.
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 It's snowing again. Most of the schools on Long Island are closed, but we're open with a skeleton crew. We'll be here until 3PM on Friday, then we'll close early for the weekend.
If you're snowed in like us, or you just have some extra time this weekend, why not check out some of the valuable articles posted to our blog.
We've added a really cool feature to the blog, our HOT TAGS cloud. By using our HOT TAGS you can zero right in on the stuff you are interested in. Our HOT TAGS will
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 In this article Walter Biscardi, Jr. tries out the new MC Color controller from Euphonix.
Apple Color has brought a powerful color enhancement tool to the masses much like Final Cut Pro did for editing when it was released. What was once possible with only a high end hardware based system, like daVinci, was now in the hands of anyone with $999 who purchases Final Cut Studio. What has finally started to appear on the landscape are reasonably priced hardware controllers that emulates the same
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 Part 1 of a live seminar recorded at BVE London, February 16, 2010. Topics covered: the ability to adapt and meet changing requirements; making the right investments; the importance of efficient workflows. Featuring Matt Davis, Producer and Director, MDMA; Christina Fox, Camera Operator, Trainer/Consultant, Urban Fox; David Fox, Journalist/Technology Writer; Larry Jordan - Producer, Director, Trainer. The panel is chaired by Rick Young of MacVideo.tv
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 Adobe® Photoshop®, the software product that redefined creativity in the digital age, turns 20 on Feb. 19, 2010. Around the world, Photoshop fans are celebrating the impact their favorite software has had across photography, art, design, publishing and commerce
In the United States, the National Association of Photoshop Professionals (NAPP) will be hosting a special Photoshop 20th Anniversary celebration for over a thousand attendees in San Francisco at the Palace of the Fine Arts Theater tod
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 The delivery guy walked in the door just over a week ago with a box containing a sparking, new, fresh off the assembly line MC Color control surface from Euphonix. For those who aren’t familiar with this unit, it’s a brand new entry into the affordable (relatively speaking at $1,499) trackball based hardware support for Apple Color. The Euphonix unit has the Tangent Wave square in its sights with a similar price point and similar functionality. In fact it’s hard to talk about one without compari
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 People have been talking about the amazing video footage coming from new DSLR cameras, at resolutions that can easily exceed 4K digital cinema files, for a couple of years now, in all kinds of forums, including Cinematography, After Effects, and many NLE forums. In the past year, that traffic has continued to accelerate, and so we invite you to join us in a newly-created forum to concentrate all of that energy in one place: Creative Cow's new "DSLR Video" forum.
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 Euphonix, a world leader in large-format digital audio consoles, media controllers, and peripherals for over twenty years, has started shipping MC Color, a color grading surface that offers unmatched control and integration with Apple’s Color 1.5.
The slim-line MC Color attaches to the Mac via Ethernet, and features high-resolution optical trackballs, trackwheels, displays, encoders and a host of programmable keys to speed up and enhance the Apple Color workflow.
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 Matrox® Video Products Group today announced Matrox Vetura Playback, a new application on the Mac for convenient playback of H.264 and .mov files using any of the Matrox MXO2 I/O devices.
Field journalists equipped with a Matrox MXO2 device that includes the Matrox MAX H.264 encoding accelerator can shoot and edit their stories, then quickly encode to a very high quality H.264 file faster then realtime.
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 Stu Maschwitzis a highly regarded director, writer and visual effects artist based in San Francisco. He has worked as a senior visual effects supervisor on many films. He previously worked at Industrial Light and Magic and also co-founded a company known as The Orphanage. In 2007 he authored the book The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap. In 2008 he became software director of Red Giant software
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