 Fantastic deals on Adobe, Avid, Apple, Sony, Grass Valley, Matrox, Pioneer, G-Tech and NLE Plug-ins!
Take $25 OFF and Get FREE UPS Ground Shipping on All Orders of $500 or More this Labor Day Weekend with Coupon Code LDBONUS
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 Adobe (www.adobe.com) has released an update to Premiere Pro CS5. Version 5.0.2 includes improved Mercury Playback Engine support, which enables GPU-acceleration, allowing users to work in realtime on high resolution projects. The new release also introduces support for additional Nvidia cards, including the GTX470, Quadro 4000 and Quadro 5000, which are all Windows-only solutions.
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 Once again Avid have jumped ahead of Apple with their new updated Media Composer 5. Avid are looking to steal back some FCP editors with their new updated editing software. CS5 Premiere Pro is also tempting FCP users so my advice for Apple is “GET YOU FINGER OUT” !
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 When you think of Adobe's Creative Suite software, "inexpensive" is not the first word that comes to mind. Its flagship (and most famous) app, Photoshop, can cost from $699 to $999 to buy new—and that's just by itself. The collections of various apps (also bought new) run from $1,299 for the relatively modest Design Standard to $2,599 for the everything-and-the-kitchen-sink Master Collection. True, you can save hundreds of dollars if you're upgrading from previous versions.
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 We recommend using G-Speed Qs with Avid Media Composer, Adobe CS5, Apple Final Cut Studio, Sony Vegas Pro 9 and all our video editing solutions. For best results choose RAID-5 to combine outstanding throughput capable of mutiple streams of compressed HD footage with data protection. This means that should a drive fail, you won't lose any data or any work, and best of all you can continue editing!"
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 To faithfully translate Gilbert’s journey from page to screen, the filmmakers lobbied to shoot the movie entirely on location in chronological order. And after nine months of intense scouting and preproduction planning, Murphy led 40 cast and crew members — including Oscar-winning cinematographer Robert Richardson — on a four-and-a-half month rolling production effort that generated 422,000 feet of film, or roughly 70 hours of footage.
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 Grass Valley has announced that its “ADVCmini” hardware and software conversion product for the Mac platform is now shipping. The ADVCmini video converter allows consumers and prosumers to easily transfer high-quality video images from VHS tapes, digital camcorders, and similar sources to their Mac computer for editing in Final Cut Pro or iMovie.
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 Well I have one of these devices now. I've own the first model since 2004. Now 6 years later second model sports 1080p, handles even MKv, MP4 all the (Avi) formates. Picture quality on my HDTV is excellent viewing from MediaMVP - HD. There are some glitches I've found in the wired network side. Just took a very long time for DHCP to pickup the device. Of course I could go static IP. Entering the numbers are done by the same remote you seen in the prior MediaMVP SD but the 45 button remote not th
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 Avid Media Composer has some great tools when it comes to mixing and matching different media formats.
It can become tricky building a project that is compatible with both the older Standard Defination television sets and the newer widescreen HD sets.
The trick is to build two versions of your sequence. Build one for your 4x3 audience, and one for your Widescreen audience.
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 I’ve been an Avid editor for the past 11 years and Media Composer is the only edit system I use on a day to day basis. Being an editor for a full service production company, one day I’m cutting a sizzle reel for a pilot episode for a TV program, the next a 30 second commercial spot, and a few days after that it could be a 30 minute educational video. There is a wide spectrum on content that I’m creating and Media Composer always gets me where I’m going, without me ever having to worry about my
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 Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export
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 Media Composer 5 has been out for a while now… And since my initial impressions of it I’ve been thinking more about what it signals for the future of Avid in general and Media Composer specifically – about what I expect to see in the coming versions.
What follows is nothing more than my guesses and hopes – a wish-list of sorts… These are feature and changes I expect to see in Media Composer (and Symphony) 5.5 or 6.0 based on what I’ve observed over the last few years, and especially with t
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 ATTENTION Matrox RT.X2, RT.X100 and AXIO Owners: Matrox is Offering a Special Loyalty Discount and it's Available Now at Videoguys.com
- Save $200 on a Matrox MXO2LE with MAX
- Save $500 on a Matrox MXO2 with MAX
- Save $500 on a Matrox MXO2 Rack with MAX
For a limited time, Matrox is offering Matrox Axio, RT.X2, and RT.X100 owners a loyalty discount on purchases of selected versions of the MXO2 products with the MAX H.264 encoding option.
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 The Qio reads every solid-state media card around, most of them at high speed. It also lets you attach up to four fast eSATA drives to your Mac—including certain laptop models.
Reads P2, SxS, CF and SDHC cards. Takes not one but two cards for each supported format. Connects multiple eSATA drives to your Mac.
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 Craft stories more efficiently. Benefit from unparalleled integration with Adobe® After Effects® and Photoshop® software, edit virtually anything thanks to broad native tapeless and DSLR camera support, and enjoy industry-leading 64-bit performance. Stepping up to the enhanced video editing power of Adobe Premiere® Pro CS5 software is now easier than ever.
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