 Avid Media Composer 6 is faster, better - and more open, as illustrated by the many bundle options now available at Videoguys.com
GLEN COVE, New York – Videoguys.com, a leading Avid Authorized Reseller, has just launched their special bundle pages for Avid Media Composer 6 combined with some of the best hardware I/O devices in the industry. Upgrade bundles start at just $795 and Crossgrade bundles for Apple Final Cut Pro owners start at just $1,595.00.
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 High-Performance, Fail-Safe RAID Solutions for HD/2K Production
G-SPEED eS PRO provides professional content creators better than Fibre-Channel performance for demanding post production applications at a fraction of the cost. The compact and whisper quiet G-SPEED eS PRO features mini-SAS connectivity for very high performance operation.
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 Faster & Better Than Ever!
Professional editors and producers like you around the world have told us what you need to succeed. More efficient and easy-to-use video editing tools. An open platform that enables you to work with everything you want and integrate into any workflow. More power to eliminate bottlenecks, so you can work faster than ever. We listened. We took notes. We made it happen. Introducing Media Composer 6—the fastest, most versatile tool for professional video editing.
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 Many of us have been editing with FCP for a few years now and were exited when Apple finally decided to re-write FCP from the ground up finally giving us a 64bit architecture, FCP only works on the Apple Mac so if you are intrenched as most of us are in the Mac platform the alternatives are AVID and Adobe’s Premiere Pro.
Sadly, Final Cut Pro has been haemorrhaging professional customers to AVID and Adobe since the introduction of FCP-10. Walter Murch reckons he has finally reached the end of
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 We would like to thank all of our customers and friends for your support and patronage throughout the years. We hope you had a great evening with your families yesterday and remembered to shoot lots of video. In case you missed it, here is a link to our latest version of Videoguys' Tips for Shooting Family/Home/Holiday Video
As you know, today is kicks off the holiday shopping season. Below are several Tweets and Facebook posts we’ve been making about some of the fantastic #Blackfriday de
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 Here are some Holiday shooting tips to make your family videos more enjoyable to watch. (Holidays 2011 update - with Video Montage and new HD DSLR shooting Tips)
Each year around Thanksgiving we update and publish this guide. We've been doing it for over a decade. Today you can shoot video on not just a camcorder, but your iPhone or cell phone, still camera, webcam, or pocket size solid-state digital video cameras. No matter what you shoot with, you'll find the tips in this guide helpfull
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 November 3rd, 2011. It was the day camera enthusiasts the world over were waiting for. Video camera juggernaut Canon was set to release their new flagship camera; a piece set to compete with the best from Sony, Panasonic and even Red Digital Cinema. The rumors started to fly early; everyone had their wishlist: a 4K sensor, interchangeable EF and PL mounts, maybe even a RAW recording option. Canon was trying to compete with Red, weren’t they? Anyone who has ever used a Red One or Red Epic camera
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 Yes it’s true. Josiah has finally converted from a Premiere and FCP fan to an Avid maniac. Josiah loves this NLE.
Premiere and FCP pale in comparison to the speed, ease of use, intelligence, and incredible support that Avid. On top of all that About 90% of all of your favorite feature films and prime time television programs are all cut on an Avid system.
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 Avid Media Composer 6 began shipping last week after being announced just under a month ago. The release has seen quite a bit of press as it was teased back in the summer and a large part of that tease was letting users know what they could expect when this version came along. I haven’t had a chance to really pound MC6 as of yet since it just shipped but I have been kicking the tires on it for the last few days. Keep an eye on That Post Show for upcoming episodes all about MC6.
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 The VR-3’s innovative design incorporates a video switcher, audio mixer, preview monitors and streaming-ready USB output all in a single unit. As a USB Video/Audio class device, web streaming is effortless by simply connecting to a computer running a live streaming service such as USTREAM , Livestream, Stickam, Justin.tv, worshipstream.com, websharelive.com, etc. The reduction in hardware equipment, setup time and connection complexity ensures a worry-free, easy to use solution for any event.
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 One of the most persuasive product upgrades in Avid’s history happened today at noon ET, when a new family of Media Composer products was released. (That makes it a day behind schedule by our reckoning, but nobody’s perfect.) If you missed the news earlier this month, you can see our full coverage at the main StudioDaily site, or you can read on for a quick round-up of the most-anticipated features in the new software.
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 Avid Media Composer 6—as well as Symphony 6 and Newscutter 10—were officially released to the public today. This follows Avid’s announcement several weeks ago, detailing the software’s new features.
Over the past few months, I’ve had the opportunity to beta test Avid Media Composer 6. Now that the software has officially been released, I’m excited to begin sharing tutorials on the newest Media Composer 6 features with the PremiumBeat community.
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 San Francisco, Calif. November 16, 2011 — Grass Valley has unveiled a powerful 3D toolset for its EDIUS multiformat nonlinear editing software and has added 3D support for editing peripherals that provides users with a complete stereoscopic 3D post-production workflow. The STORM™ 3G and STORM 3G Elite editing platforms —are both supported via the EDIUS timeline with stereoscopic 3D I/O through a single 3G SDI source and/or dual 3G SDI signals.
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 OK, I’m not all about Avid now. I’m giving Adobe Premiere Pro some love too. With Apple no longer making a tool I can use, I’m exploring the other two main options for NLEs and seeing what they are capable of. Seeing how they might fit into my workflow needs. Now, while Avid does easily plug into my broadcast workflows, I do have other projects that would be cumbersome to work with in Avid Media Composer…even MC6. So those projects I used Premiere Pro to tackle.
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 Avid began distributing Media Composer 6 today. The new version has been upgraded to offer 64-bit support, and includes many new features, including a complete reinvention of the application’s approach to 3D-Stereo editing, the ability to mix in 5.1 and 7.1, “Open I/O” which allows you to use a variety of third party hardware options, tabbed bins, and a “reskinning” of the user interface. If you purchased version 5.5 in the last month or so, the upgrade is free, otherwise, it’s $300. Pricing for
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