 So I did it, you guys. I downloaded the free trial of Final Cut Pro X. You may remember the outrage when Apple completely remade its highly popular Final Cut Pro software, pissing off its very vocal professional userbase. So I was a little ambivalent about it.
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 Walter Murch, a long time Final Cut Pro user, and editor of Apocalypse Now, The Godfather Part III, The English Patient, Cold Mountain, Tetro, among many other films, headlined the Boston Supermeet on Thursday October 28, 2011. It marked his first public appearance since the launch of Final Cut Pro X.
A group of us met up to go and listen to Walter talk about the craft of editing and his thoughts on the transition from film to digital. There was such a huge turnout for the event, tickets to t
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 Discover what has professional editors talking and find out how to edit like you’ve never been able to before. Join Avid for an exclusive webcast —Thursday, November 3, 2011 at 1 pm ET (10 am PT).
Check out the IBC2011: Technology Preview Avid Media Composer 6 video below for some more cool info
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 In legacy versions of Final Cut Pro we learned to organize our footage via the use of labeled bins that we could refer to in order to locate specific clips. For example, bins could be labeled, interior, exterior, music, narration, foley and so on. In my case, bins were separated by species of animals and marine life. Having separately labeled bins made for a quicker and more efficient workflow. In legacy versions of FCP, I always named my clips and then imported. While time consuming, it had a p
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 Regular readers will know that, while there are certain applications that I like a lot, I generally prefer a conceptual approach to teaching technology skills. I’d rather see a class on written communication or desktop publishing than a class on Microsoft Word, for example. A class on web design is, I think, more useful than one on Dreamweaver, even if Dreamweaver is the tool of choice for the class. And, whenever possible, schools can save money by teaching principles and concepts using open so
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 Over the past year the hard drive producers have been hit by a one-two punch that has them scrambling to find ways to produce enough hard drives to satisfy demand. Hard drives prices are expected to jump up by 20% or more over the next week, with no end in sight.
Back in March the Japanese earthquake and Tsunami created massive supply chain issues.
Then this October another natural disaster struck Asia. Thailand has been hit by massive flooding. Thailand as a country is the second-la
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 Gary Bettan from Videoguys.com, talks about the latest Matrox product releases, and how they can streamline your workflow.
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 Hurry! Time is running out and so are supplies.
Crossgrade from your exisiting NLE software at these discounted prices now thru 10/31!
Fantastic deals when you crossgrade to Adobe Production Premium & Premiere Pro, Avid Media Composer, Sony Vegas Pro and Grass Valley Edius!! Save even more when you bundle you crossgrade with I/O hardware, storage, Blu-ray and more!!
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 Award-Winning NLE Software Provides Comprehensive GPU Acceleration, NVIDIA 3D Vision Support and New Titling Technology
Sony Creative Software, a leading global provider of professional editing and authoring applications, today announced the latest upgrade to its Vegas™ editing technology. Vegas Pro 11 adds significant performance improvements to the award-winning NLE, courtesy of OpenCL™ and highly optimized GPU hardware acceleration for video processing and rendering. Vegas Pro 11 is the
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 Media Composer is Avid’s Non-Linear Editing (NLE) suite for video and film post-production. It’s one of the four heavy weights next to Final Cut Pro, Lightworks, and to a lesser degree Adobe Premiere. Media Composer is a total solution for editors: it has powerful video editing capabilities, but also powerful integrated audio tools, and even special effect capabilities.
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 Special program allows users of competitive applications to upgrade with little investment to the fastest, most format flexible HD editing platform in the industry
Grass Valley™ has announced that, as part of a special competitive upgrade promotion, users of Apple's Final Cut Pro, Adobe Premiere, and Avid's Media Composer can now upgrade to EDIUS® 6 nonlinear editing program for just $399. That's 50 percent off the regular price.
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 Mac + Thunderbolt + MXO2 + Adobe, Avid or Apple = AWESOME!! The latest iMac, Mac Mini and Macbook Pro are now very powerful NLE platforms – for every level of video editing - even for professional post. With the addition of the new Thunderbolt hi-speed connectivity port, these machines will give you the ability to add the Matrox MXO2 family of I/O devices for professional workflows!
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 Crossgrade price will increase to $1,495 as soon as we sell-out! $995 Only While Supplies Last!!
Avid Media Composer 5.5 "Crossgrade" Bundles
for Apple Final Cut Editors are Still Available at Videoguys.com
Your choice Avid Media Composer 5.5 Crossgrade with either Matrox MXO2 Mini or Glyph GTO62E 4TB for just $1,495!!
Are you ready to upgrade your Mac? If you're a Final Cut Pro editor in need of a new editing program. or a former Avid editor who made the switch to Final Cut and w
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 On 9/20/11 Apple released their first update to FCPX 10.0.1. While it shows some progress, it doesn't address the main issues and reasons so many Pros have left Apple for Adobe and/or Avid. Below is the original blog post, with new FCPX information added to reflect the latest information.
We first published our Options for Final Cut Pro owners back on June 6th. Two weeks before FCPX was released. We had high hopes for FCPX, based on the Sneak Peak at NAB, but as time wore on, and we heard
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 We're getting a lot of calls and questions about our latest DIY recommendations - and requests for a DIY9 build! We've also been participating in some very hot discussions an the Adobe and COW forums about this. I wanted to put this article together to give some insight into why we pick the components we do and what our overall DIY NLE workstation philosophy is.
The bottom line is this. You need a balanced system for best results. Too much of one area at the expense of another hurts perform
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