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Jan
26
by: 
1/26/2012 2:26 PM
GoPro today announced a new version of its CineForm Studio lineup that it hopes will help build a bridge between professionals of all stripes and the enthusiasts who embrace its rugged $300 HD cameras. With the latest revisions, the free version of CineForm Studio adds features like support for H.264 footage from non-GoPro cameras using an MOV or MP4 wrapper (this works in 2D only; 3D is only enabled for GoPro cameras in the free version) and automatic recognition of 3D formats for YouTube uploa Read More
Jan
25
by: 
1/25/2012 3:48 PM
GoPro, the world’s leading activity image capture company, today announced the release of a new version of its professional family of 2D and 3D production software - GoPro CineForm Studio Premium and GoPro CineForm Studio Professional. The company recently released a new version of its free software, GoPro CineForm Studio, which adds powerful new features appealing to consumers and professionals alike. Read More
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Jul
21
by: 
7/21/2011 11:03 AM
Ghosts of the Abyss. Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour. The Polar Express. Up. U2 3D. Coraline. Success stories, one and all, but aren’t these films mostly mass-market, high-budgeted studio projects? Why should 3D films like these matter to someone creating a low-budget feature today? Is it even possible to produce a genre film with a low budget—say, between $500,000 and $1 million—in 3D? Some forward-looking 3D experts say that it’s not only possible, but even inevita Read More
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Apr
20
by: 
4/20/2011 9:15 AM
Wow, some big price cuts on the Neo workflow packages, the big 3D pack looks like it is now nearly a third of the original price. GoPro are definitely trying to make their mark in the world of 3D editing. The big daddy of 3D workflow solutions for Final Cut Pro has just got a lot cheaper. GoPro have announced lower cost product lines featuring CineForm’s award-winning 2D and 3D production workflow solutions Read More
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Feb
8
by: 
2/08/2011 1:52 PM
The world of two-dimensional TV took a major shift last year when new technology gave us the choice to add that third dimension to video. Still in its infancy, 3DTV exposes a new assortment of thrills... and challenges. Read More
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Dec
2
by: 
12/02/2010 9:48 AM
In these difficult economic times the one thing that is on everyone's mind is savings and value. We've kept that in mind with this year's Videoguys' Holiday Gift Guide. We've broken the guide into several categories that I think will help make your holiday shopping easier: Gizmos & Gadgets - Low-priced recommendations for everyone! Blu-ray Disc Authoring - Now is the time to start delivering Blu-ray Discs! Hardware - Do you need more video storage, Hardware I/O or a new graphics boa Read More
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Oct
1
by: 
10/01/2010 3:46 PM
The DSLR revolution has had a dramatic impact on videography, combining some of the best features of professional video with high-end photography. DSLRs are affordable and the image quality is spectacular.

October 2011 update. Today's latest NLEs allow you to edit DSLR footage easily, as long as you have a powerful computer. We've updated this guide to include info about that, as well as our tips and tricks for using older versions. If you have questions about working with and Read More

Sept
1
by: 
9/01/2010 9:30 AM
Matrox MXO2 Mini - Great Things DO Come in Small Packages!

I think it's time to start talking more about one of the most cost effective tools you can add to your HD video editing arsenal - the Matrox MXO2 Mini. There are lots of great features in this mighty mite, and I'm going to use this article to tell you all about them. We've had great success in the past using an FAQ format to better explain new products and technology, so we'll keep at it now. Read More

Aug
17
by: 
8/17/2010 9:26 AM
Adobe has added the “Mercury” engine to CS5 for increased performance in Premiere Pro by using Nvidia’s CUDA graphics processing features. This is great work and can be useful in many ways. In fact CineForm may consider using CUDA in the future for some of our non-compression Active Metadata processing. A common question we get is – should I use CUDA or NeoScene for AVCHD content? Read More
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Aug
16
by: 
8/16/2010 10:50 AM
Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export Read More
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Jul
28
by: 
7/28/2010 9:38 AM
With Avid’s support of third-party QuickTime codecs in Media Composer 5, more and more filmmakers are choosing CineForm as their online and master codec. The question has come up of how to render CineForm MOVs out of MC5, and here’s a quick tutorial to answer that! Read More
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May
27
by: 
5/27/2010 12:53 PM
Music-Video Vet Don Wilson Managed a Stereo Workflow for Final Cut Pro

When Action 3D Productions hired an editor to cut the concert film Phish 3D, it made sense that they’d go to Don Wilson's Americana Media. Wilson is an Emmy-winning producer-director-editor whose experience in the industry stretches back to the early days of MTV, when he was cutting promo clips for any number of top-tier acts. Read More

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Apr
7
by: 
4/07/2010 4:30 PM
In this article, I'm going to illustrate how our studio dealt with footage from a multiday shoot using AVCHD cameras (along with a mix of HDV and DV), resulting in a long-form DVD for '80s pop legend and General Hospital alumnus Rick Springfield.

The signature benefit of AVCHD is its compression efficiency as an MPEG-4-based codec, which means it can store more video information at lower bitrates than HDV. But as most of who have worked with it know, AVCHD can be a bear to edit, and the cha Read More

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Mar
18
by: 
3/18/2010 11:05 PM
While we wait for AMA support of AVCHD there is an improvement that I found that some may know but I thought I would share it here for those that missed it.

Step one - Convert AVCHD (.mts etc.) file to avi using Cineform Neo Scene. This $100 product is gaining alot of attention because other NLEs are beginning to support the Cineform Codec natively. This works with cameras like the Canon 5D/7D too. It converts the color space to 4:2:2, handles 24p correctly and is considered visually lo Read More

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Mar
8
by: 
3/08/2010 2:49 PM
If Gebbs Wedding Films' Michael Gebben didn't have a strict personal policy against selling clients on technology, you can bet he'd be bragging about the two most significant additions to his arsenal he's made recently: Canon's 5D Mark II and EOS 7D DSLRs. For Gebben, a rising industry star whose demo was recently selected for use in the nationally syndicated TV show Wedlock or Deadlock, these so-called fusion cameras have made his already great-looking same day edits (SDEs)-his studio's special Read More
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