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The following Blog articles have been tagged... [view all]

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2/07/2012 11:57 AM
Vincent Laforet had the pleasure to be part of a panel at the Sundance Film Festival last week. Adobe invited filmmakers Sharlto Copley, Rob Legato, Jacob Rosenberg and myself to share some of our thoughts on where all of this new technology is taking us as filmmakers. Read More
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1/13/2012 2:24 PM
It’s an exciting time to be a filmmaker. Amazing tools, amazing prices. There’s a funny thing about having many wonderful options though—it can lead to unhappiness. Studies show that, when presented with unlimited options, people become paralyzed in their decision making. Unlimited options create the expectation of 100% satisfaction, which inevitably leads to disappointment. This is why you’ll happily watch the last three-quarters of Ballistic: Ecks vs. Sever on HBO because it’s “better than wha Read More
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11/21/2011 3:35 PM
November 3rd, 2011. It was the day camera enthusiasts the world over were waiting for. Video camera juggernaut Canon was set to release their new flagship camera; a piece set to compete with the best from Sony, Panasonic and even Red Digital Cinema. The rumors started to fly early; everyone had their wishlist: a 4K sensor, interchangeable EF and PL mounts, maybe even a RAW recording option. Canon was trying to compete with Red, weren’t they? Anyone who has ever used a Red One or Red Epic camera Read More
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11/09/2011 7:37 PM
If there’s one thing I’ve learned in this industry over that past 20 years is that no matter how much I think I might know what new technology is coming around the corner, the fact is, there’s always a few surprises when new stuff actually is announced. Last Thursday (November 3, 2011), there were three major announcements from industry players, in this order: Avid, Canon and RED. To my surprise, none of the announcements played out as I would have expected. This is neither good or bad, it ju Read More
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9/21/2011 11:16 AM
Being a Nikon shooter in a multimedia world has some disadvantages. In 2008, Nikon launched the D90, which was the first DSLR with the ability to shoot video as well as stills. The camera was rife with limitations. Without an audio mic jack, you could not use an external microphone to gather quality sound. The Motion JPEG codec the D90 recorded in was a nightmare for Final Cut Pro to deal with. My newspaper bought two of these cameras on release. I played around with one, shrugged my shoulders, Read More
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Posted by: gary October 1, 2010 3:46 PM
The DSLR revolution has had a dramatic impact on videography, combining some of the best features of professional video with high-end photography. DSLRs are affordable and the image quality is spectacular.

October 2011 update. Today's latest NLEs allow you to edit DSLR footage easily, as long as you have a powerful computer. We've updated this guide to include info about that, as well as our tips and tricks for using older versions. If you have questions about working with and (Read More)


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